{"id":400,"date":"2019-06-04T14:51:56","date_gmt":"2019-06-04T12:51:56","guid":{"rendered":"https:\/\/www.schuetzgesellschaft.de\/?page_id=400"},"modified":"2019-06-05T10:42:06","modified_gmt":"2019-06-05T08:42:06","slug":"v-2-1-italienische-madrigale","status":"publish","type":"page","link":"https:\/\/www.schuetzgesellschaft.de\/?page_id=400","title":{"rendered":"V.2.1. Italienische Madrigale"},"content":{"rendered":"\n<table id=\"tablepress-BO_V_2_1\" class=\"tablepress tablepress-id-BO_V_2_1\">\n<thead>\n<tr class=\"row-1\">\n\t<th class=\"column-1\">Jahr<\/th><th class=\"column-2\">Autor(en)<\/th><th class=\"column-3\">Titl<\/th><th class=\"column-4\">Link<\/th>\n<\/tr>\n<\/thead>\n<tbody class=\"row-striping row-hover\">\n<tr class=\"row-2\">\n\t<td class=\"column-1\">1987<\/td><td class=\"column-2\"><strong>Bode<\/strong>, Robert H.<\/td><td class=\"column-3\">\"Il Primo Libro de Madrigali\" by Heinrich Sch\u00fctz, Dissertation University Cincinnati 1987 <\/td><td class=\"column-4\">-<\/td>\n<\/tr>\n<tr class=\"row-3\">\n\t<td class=\"column-1\">1995<\/td><td class=\"column-2\"><strong>K\u00fcster<\/strong>, Konrad<\/td><td class=\"column-3\">Opus Primum in Venedig: Traditionen des Vokalsatzes 1590-1650, Laaber: Laaber 1995 (Freiburger Beitr\u00e4ge zur Musikwissenschaft 4) <\/td><td class=\"column-4\">-<\/td>\n<\/tr>\n<tr class=\"row-4\">\n\t<td class=\"column-1\">1972<\/td><td class=\"column-2\"><strong>Schmalzriedt<\/strong>, Siegfried<\/td><td class=\"column-3\">Heinrich Sch\u00fctz und andere zeitgen\u00f6ssische Musiker in der Lehre Giovanni Gabrielis. Studien zu ihren Madrigalen, Neuhausen-Stuttgart: H\u00e4nssler 1972 (T\u00fcbinger Beitr\u00e4ge zur Musikwissenschaft 1) <\/td><td class=\"column-4\">-<\/td>\n<\/tr>\n<tr class=\"row-5\">\n\t<td class=\"column-1\"><\/td><td class=\"column-2\"><strong>Steibeck<\/strong>, Wolfram<\/td><td class=\"column-3\">Lyrik und Dramatik im italienischen Madrigal. Zur Sprachvertonung und Musiksprache bei Sch\u00fctz und Monteverdi, in: Heinrich Sch\u00fctz und die Musik in D\u00e4nemark zur Zeit Christians IV. (s. Nr. 19), S. 217-240 <\/td><td class=\"column-4\">-<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<!-- #tablepress-BO_V_2_1 from cache -->\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":397,"menu_order":20,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":{"0":"post-400","1":"page","2":"type-page","3":"status-publish","5":"no-featured-image-padding"},"_links":{"self":[{"href":"https:\/\/www.schuetzgesellschaft.de\/index.php?rest_route=\/wp\/v2\/pages\/400","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.schuetzgesellschaft.de\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.schuetzgesellschaft.de\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.schuetzgesellschaft.de\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.schuetzgesellschaft.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=400"}],"version-history":[{"count":1,"href":"https:\/\/www.schuetzgesellschaft.de\/index.php?rest_route=\/wp\/v2\/pages\/400\/revisions"}],"predecessor-version":[{"id":465,"href":"https:\/\/www.schuetzgesellschaft.de\/index.php?rest_route=\/wp\/v2\/pages\/400\/revisions\/465"}],"up":[{"embeddable":true,"href":"https:\/\/www.schuetzgesellschaft.de\/index.php?rest_route=\/wp\/v2\/pages\/397"}],"wp:attachment":[{"href":"https:\/\/www.schuetzgesellschaft.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=400"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}